After Wayne Thiebaud: detail from Boston Cremes, 1962
In my naiveity, (perhaps with a smidge of an ego) I thought it would be fun and easy to forego the obvious choice of something seriously Renaissancey for my SBS assignment – ‘Copy an Artist that you Admire’. Well, I have been schooled. Wayne Thiebaud is a Master of thick acrylic paint and unlikely colour placement, and he molds beautiful delicious form with deft skill. Pop Art genius – I won’t make the mistake of underestimating his delightful simplicity again. I did, however, manage to sweat it out, and do a credible job while using the simplest of tools myself, my basic sketch kit. Nothing fancy at all – a Uniball black ink pen, my small Cotman travel watercolours, a couple of fineliners and pencil crayons, and some housepaint from a sample I have had hanging around on my desk for ages. That was to cover the orange blotchy mistake I made early in the sketch, and had no other way to disguise. Luckily the thick pages in my Kim Oka journal could take the abuse. Yep, I learned my lesson. And I’ll happily do this exercise again, because there is scads more to learn from a giant like Thiebaud. I am a baby when it comes to this kind of painting. And honestly, I kind of like that feeling of being in the shit and having to wallow my way out – it certainly keeps things interesting. So copy I will, and if it was good enough for the Renaissance greats… well then.